Ikpoza further explains
to Arts and Culture Place in an
interview that “the organisers of the movement were chasing personal
glorification and dishonest profit from my sweat and artistic products, which
they still remain in financial debt to me till date without interest to pay.”
To him, araism was not giving him a realistic visual
language to express himself. “As a versatile artist, I enjoy challenges in new
media and techniques. To an audience viewing araism paintings, he or she will
think it takes so much work and time to produce than it really did. Painting in
geometrism which are characterised with flow of geometric rhythmic movements of
lines and shapes enveloped into creative colour orchestration takes more time,
energy and is more challenging for me. The present body of works done in various
media shows how expandable geometrism is.”
He hints that the reason he joined the movement was to
us the platform to showcase his artistic prowess and presence. “While
experimenting in Araism techniques, the art of using broken lines and creating
cracks all over the canvas surface limited my expression in colourism. These
limitation was a constant challenge I had to battle with as I continued.”
Ikpoza |
His style of
painting and drawing in his present works is geometrism, a
technique he has been exploring since 2003, which he says is very much
refreshing to him. “I started painting in araism technique in 2005 to
experiment more in art, exploring the techniques with tempera powder mixed with
white glue before the now common use of acrylic. I joined the proponent after I
have mastered the technique so as to launch Araism as a movement since he (Mufu
Onifade, the originator) was the only artist known with the technique which was argued as a
style and not a technique.”
Ikpoza was born in 1979. He hails from
Delta State, Nigeria. He holds Higher National Diploma from Auchi Polytechnic,
Auchi, Edo State (2009). He had
exhibited his works in Nigeria, Senegal and Greece. He had
participated in over forty national and international group shows.
By Udemma Chukwuma
By Udemma Chukwuma
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