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| Title: The Sitter, Oil on Canvas by Sylvester Aigbogun |
Running until August 1, 2026, the exhibition brings together 12 artists whose diverse practices explore the boundless potential of contemporary artistic expression. The exhibition opens at 4:00 p.m. and promises an engaging showcase of painting and mixed-media works reflecting a broad spectrum of styles, ideas and creative approaches.
Participating artists are: Kafaru Abiodun, Ato Arinze, Sylvester Aigbogun, Adebimpe Adebambo, Babatunde B. B., Ankeli Christopher, Desmond Dubre, Felix Aina, Mokayi Olusegun, Olumide Oladiran, Henry Unuigboje, and curator Idowu Sonaya.
According to the organisers, Endless Possibilities celebrates the limitless capacity of art to inspire, provoke thought and foster dialogue. By bringing together artists with distinct visual languages, the exhibition highlights the richness and diversity of Nigeria's contemporary art scene while encouraging audiences to engage with multiple perspectives.
The exhibition is expected to attract collectors, curators, artists and art enthusiasts, offering visitors an opportunity to experience a dynamic collection of works that reflect innovation, experimentation and the enduring power of artistic imagination.
The Life in My City Art Foundation (LIMCAF) will hold a two-day Inclusive Children's Art Workshop in Abuja on July 1 and 2, 2026, as part of its commitment to promoting creativity and ensuring that children of all abilities have access to artistic learning opportunities.
Scheduled to take place from 10:00 a.m. to 2:00 p.m. at the Thought Pyramid Art Centre, 18 Libreville Crescent, Wuse, the workshop is designed to provide an engaging and supportive environment where children can explore their creative potential through practical art activities. According to the organisers, participants will receive hands-on instruction in drawing, painting, tie-and-dye, and batik production while interacting with professional artists and facilitators.
The programme is coordinated by Klaranze Okhide and is supported by the Ford Foundation, reflecting a shared commitment to expanding access to arts education and fostering inclusion for children across diverse backgrounds.
LIMCAF, Nigeria's longest-running youth visual arts festival, has continued to champion talent development through workshops, exhibitions, and mentorship programmes. The Abuja workshop forms part of the foundation's broader outreach initiatives aimed at encouraging self-expression, building confidence, and nurturing the next generation of artists, including children living with disabilities.
The workshop is expected to bring together young participants, educators, parents, and art practitioners in an inspiring atmosphere that celebrates creativity, inclusion, and the transformative power of the arts.
Scheduled to open on Saturday, July 18, 2026, at 3:00 p.m., the exhibition will run through August 8, 2026. Bringing together a new body of work that reflects Oresegun's continued exploration of cultural heritage through his distinctive hyperreality style.
The exhibition promises to examine the intricate relationship between tradition and contemporary life, using portraiture and symbolism to celebrate the richness of African cultural narratives. Threads of Heritage: Cultural Weaving invites viewers to reflect on the enduring connections between generations and the values that shape collective identity.
Oresegun has earned international recognition for his technically accomplished paintings, often blending meticulous realism with imaginative compositions that provoke thought and conversation. His latest works are expected to continue this artistic trajectory, offering fresh perspectives on culture, history, and self-expression.
Hosted by Mydrim Gallery, the exhibition will be held at 74B Norman Williams Street, S.W. Ikoyi, Lagos, and is expected to attract collectors, curators, fellow artists, and art enthusiasts from across the country.
With Threads of Heritage: Cultural Weaving, Oresegun once again invites audiences into a visually compelling world where realism meets symbolism, reaffirming his place as one of Nigeria's most influential contemporary artists.
In a modest studio filled with discarded machine parts, worn-out vehicle components, twisted wires and forgotten metal fragments, Nigerian sculptor Collins Asiegbu sees possibilities where others see waste.
The 18th edition of the Rome International Art Fair opens on July 8, 2026, bringing contemporary artists from around the world to one of the Italian capital's most historic cultural venues. Organised by ITSLIQUID Group, the exhibition runs until July 19 at the ITSLIQUID Art Space, located within the renowned Palazzo Velli in Rome’s vibrant Trastevere district.
Opening at 6:00 p.m. on July 8, the fair will explore two dual themes: Mixing Identities and Future Landscapes. Through a diverse selection of painting, photography, sculpture, installation, and digital media, participating artists will examine the evolving relationship between human identity, society, and our changing environments.
By housing contemporary artistic practices within a 15th-century palace, the event creates a striking dialogue with Rome’s rich architectural heritage. According to the organisers, the exhibition aims to foster international artistic exchange while prompting audiences to reflect on how identities are shaped in an increasingly interconnected world. As a highlight of Europe's summer cultural calendar, the fair is expected to attract collectors, curators, and art enthusiasts from across the globe.
Photo Credit: Image courtesy of ITSLIQUID Group / Rome International Art Fair 2026
Titled "Two Practices, One Studio: Managing a Creative and Functional Body of Work Without Losing Your Voice," the lecture will explore the challenges and opportunities artists face in balancing multiple creative pursuits while maintaining a distinct artistic identity.
Organisers say the annual lecture series is designed to provide professional development opportunities for artists, ceramists, students, and cultural practitioners. Participants will gain insights into studio management, creative sustainability, and strategies for navigating both artistic and commercial aspects of contemporary practice.
The Sculptors’ Association of Nigeria (SCAN) has officially announced a call for entries for its 4th National Biennial Sculpture Exhibition, inviting artists nationwide to submit works for the highly anticipated event, scheduled for October 2026 at the National Museum, Onikan, Lagos.
The exhibition, themed Traversing Forms, seeks to showcase innovative approaches to sculpture and contemporary artistic expression. Organisers say the biennial has become one of Nigeria’s leading platforms for celebrating excellence in sculptural practice while fostering dialogue among artists, collectors, scholars, and the public.
Professional sculptors, young graduates, and non-members are encouraged to participate by submitting images of their works before the August 29, 2026, deadline. Selected entries will be displayed alongside works from some of the nation’s most accomplished sculptors.
According to SCAN, the exhibition aims to highlight the evolving language of sculpture and the diverse ways artists engage with form, material, and space. The event is expected to attract significant attention from the arts community and further strengthen Nigeria’s growing reputation as a hub for contemporary sculpture in Africa.
Title: Copy Copy (acrylic & graphite on canvas, 2026) A collaborative painting by Omotosho and Orecious Egbugara
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| Title: The Land is a Giant Whale (acrylic on canvas) |
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| Omotosho |
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| One of the will be on view, by Linda Tyrell |
“After
a heavy first half of 2026, we wanted to spotlight artists who still find
reasons to celebrate,” a gallery rep noted. The line-up mixes established names
with emerging voices, making it one of Pretoria’s most diverse winter openings.
TERRACONTEMPORARY
has built a reputation for platforming contemporary SA voices outside the
Johannesburg circuit, and Celebration continues that mandate. Expect
bold palettes, textured surfaces, and work that leans into optimism without
ignoring reality. Opening hours are Wed-Sat, 10am-4pm. The show is free to
attend.
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| Straatboom in Seepunt IV |
Orlu Ozangeobuoma
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| With some of his hosts |
This is your first solo exhibition outside Nigeria. What hit you most when you saw your art on the wall in another country, nerves, pride, or “wait, is this real”?
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| Ogboli |
Mydrim Gallery is temporarily closing its doors for a physical transformation. The prominent contemporary art space will undergo a two-week renovation, promising visitors a refreshed environment while maintaining its core artistic mission.
According to the gallery’s official notice, Mydrim Gallery will be closed from Saturday, June 20th, and will welcome visitors again on Monday, July 6th. The temporary shutdown is to make room for upgrades.
“We’re making space for something beautiful,” the management announced. “New look. Same heart.” They also thanked patrons for their “love and support” and said they “can’t wait to welcome you back.”
Mydrim Gallery has built a reputation in Lagos for showcasing contemporary art. The two-week break means collectors, artists, and art lovers will need to plan visits around the closure period.
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| Shine Ya 32 (Acrylic on canvas, 2026) by Austin Dorgu |
The contemporary African art
narrative takes centre stage this month as the Thought Pyramid Art Centre, in
collaboration with Tribes Art Africa Gallery (TAAG), officially
unveiled
its latest group exhibition, Here and Now:
Becoming, Identity, Memory, and Environment.
The exhibition, which opened with a vibrant reception on June 13, 2026, brings together a dynamic collective of twenty contemporary artists. Curated to explore the intricate forces shaping the African experience, the showcase investigates the intersections of personal transformation, cultural heritage, and the evolving environments that define modern identity.
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| Njoku Kenneth, with the winners from the previous edition |
The exhibition officially opened yesterday, June 17 and runs to June 20, 2026, at Plot 11, Block 29, Mayaki Usman Street, Lekki Phase 1, Lagos, Nigeria.
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| Emotional Nurishment (Acrylic on Canvas, 2026) |
Through expressive figurative compositions, layered textures, and vibrant visual narratives, Ozangeobuoma examines the many dimensions of human connection. The works explore themes of self-love, romantic affection, compassion, sacrifice, unity, and emotional resilience.
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| The Minister of Arts, Culture and Creative Economy, Hannatu Musawa, Popoola and the Founder of Nike Art Gallery, Chief. Nike Okundaye at the opening ceremony of the exhibition |
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| Sculpture by Collins Abinoro Akporode |
It has been a moment, but the spirit of Nigerian arts and culture never rests, and neither do we. After a period of quiet reflection, Arts & Culture Place is thrilled to announce its return, reigniting our passion for promoting the rich artistic expression and cultural heritage that thrives across Nigeria.
Our mission remains as vital as ever: to be your dedicated platform for Promoting Artists, Arts & Culture. We recall with fondness the stories we've shared, from the opening of significant spaces like the Coronation Art Gallery in Lagos to insightful interviews with talents such as Moses Zibor, an artist whose journey transcends boundaries. We have also paid tribute to literary giants like Elechi Amadi, whose contributions continue to shape our cultural landscape. Nigeria's cultural scene is a dynamic force, constantly evolving and captivating.
