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Where Love Floats – Adeniyi Adewole's Bubbles Rise Through Arami Lagos

By Udemma Chukwuma


Love in the Air by Adeniyi Adewole Wasiu, installed at Arami Lagos during Lagos Art Week, November 2026.

Look first at the figure on the ground. At the entrance of Arami Lagos, a young man crouches on a low black plinth, a bubble wand at his lips, and from it, a stream of terracotta-toned spheres climbs toward the ceiling. Above him, two more figures leap through the air among bubbles suspended on fine wires, with the spheres growing larger the higher they rise.

Titled: Love in the Air. The eye starts at the crouching figure on the black platform, follows the stream of bubbles from his wand and climbs through the expanding spheres until it reaches the two leaping figures near the ceiling. The wires holding the bubbles fall like fine rain, making the composition read as one continuous gesture, from the breath at the bottom to the reach at the top. The single terracotta tone ties the figures and bubbles together, echoing the atrium's warm timber panelling, while the black ceiling and plinth frame the work at both ends.

One tension, however, is that the bubbles are solid, glossy and weighty, carrying more gravity than the lightness of soap bubbles suggests. At the top, where the spheres crowd thickest, the figures are partly lost among them, and this busyness works against the clarity of the lower composition. Even so, the idea comes through at a glance: one person's breath fills the air for everyone else.

The piece by sculptor Adeniyi Adewole Wasiu was unveiled on Thursday, 5 November 2026, at the start of Lagos Art Week. Curated by SMO Contemporary Art and commissioned specifically for the space, it fills the double-height entrance of Arami Lagos, a fine dining and hibachi restaurant in Lekki, Lagos, Nigeria.

For Adewole, who was born in Ibadan in 1994 and trained at Yaba College of Technology, the bubbles represent love. They drift wherever the wind takes them and cannot be held, and any child may catch one, regardless of background. He wants viewers to consider love as something that should neither be guarded nor owned. At the unveiling, he described it as “free and uncontrolled.”

The sculpture is intended to take visitors back to their own childhood, recalling the simple pleasure of playing with bubbles.

The idea draws from Adewole's upbringing in the familiar “face me, I face you” tenements, where several families shared one compound and any child was everyone's child. Set against today's more enclosed urban life, the work recalls the idea that raising a child takes a village. The growing bubbles carry a similar thought: a small act of love expands when shared.

The commission also marks a significant step in the artist's practice. His largest earlier works stood around six feet, while this is his first above-life-size sculpture featuring multiple figures. It began as a single form, but Adewole soon recognised that children rarely play alone, and the work developed into a three-figure composition, his first completed compositional sculpture.

The bubbles proved the most demanding part of the process. So many were needed that they had to be moulded repeatedly. After experimenting with silicone and fibreglass, he settled on plaster of Paris, which allowed him to produce them more quickly.

Sandra Mbanefo Obiago, founder of SMO Contemporary Art and Arami's art curator, says Adewole spent six months working on the commission. Her platform specialises in placing art in unconventional settings, bringing it to audiences who might not ordinarily visit museums or dedicated art spaces.

Diana Nwandu, director of Arami Lagos, described the installation as the “first of its kind in our custom-designed gallery space”. She said the restaurant hopes to bring contemporary art and culinary creativity together within Lagos' dynamic cultural scene.

Reflecting on the commission, Adewole described the experience as one that stretched him professionally. He hopes it will encourage younger African artists to explore larger works for bespoke spaces and bring “our generation's perspectives into mainstream conversations.”

Adewole's exhibition history includes Crossroads at The Wheatbaker in 2022, the Young Contemporaries Residency Exhibition at Rele Arts Foundation in 2023, Art Miabo in 2023, Art X Lagos in 2025 and 2026, and Celebration at Arami Lagos in 2026.

Images: courtesy of  SMO Contemporary Art.  All rights reserved.

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